Imformative Essay

Rock and Roll History

According to Palmer, John Lomax and Alan, his son, sat in the back of a church when they "stumbled upon the future." While sitting transfixed in the corner of the church their bulky portable recording rig transcribed the music onto an aluminum disc, the year was 1934. They happened to stumble upon a survival of one of the oldest varieties of Afro-American religious songs. rhythmic singing, hard driving beat, bluesy melody, and the improvised, stream-of-consciousness words to the particular shout, eventually issued as "Run Old Jeremiah." Anticipate key aspects of Rock & Roll as it would eventually emerge 20 some years later (3). Rock only became possible because the extensive contact between Europeans and Africans. Most of the contact between their cultures occurred in colonies in North and South America and in Caribbean under the most inhospitable circumstances. Some European and African immigrants may have inhabited the same Geographical Space. They lived in to different worlds, socially, culturally, and musically (Campbell and Brody 21). There was a sharp division between working-class, middle- and upper-class whites through the early twentieth century. the lower-class emigrated from the British Isles to America and brought their music. Upper and middle classes in Europe and America shared a common musical language. middle pf the nineteenth century, there was a smooth stylistic continuum among the different types of music (Campbell and Brody 22 & 23).

Alan Freed attached "Rock & Roll" to a musical style. Technically "Rock & Roll" was Rhythm & Blues the whole time. Freed was a early and influential advocate of Rhythm and Blues. He refused to play white cover versions of Rhythm & Blues hits, that gained respect among black musicians but made him enemies in the business. He began using "Rock & Roll" as a euphemism of a different kind; through him the term became a code word among whites for Rhythm & Blues (Campbell and Brody 101). Between 1949-1959, Rhythm and Blues got a name, a host of new styles, and a much bigger audience. All the new styles sounded black, but they covered a lot of territory. There was a lot of interplay among the styles. From one perspective, the blues got rhythm, rhythm got the blues, much got the spirit via gospel. country blues became electric blues, when added a guitar and heavier beat, via a whole rhythm section. For the half of the fifties, Rhythm & Blues and Rock & Roll were the same (Campbell and Brody 97 & 98).

RCA quickly got Elvis Presley into the studio, "Heartbreak Hotel," his first number 1 hit, it topped the charts in March 1956. later that year he made his first Hollywood film, Love Me Tender, he would make 3 more before his introduction into the Army. Within a few months, he had become a national phenomenon, within two years he had recorded several number 1 hits and appeared on numerous television programs. Elvis's sound caught the attention of radio listeners, but it was his looks and his moves that propelled him to stardom. He became the symbol of Rock & Roll for millions, both who idolized him and those who despised him. Elvis projected a rebellious attitude that many teens found overwhelmingly attractive. Elvis seemed tame, almost wholesome, but in his day, this was bold stuff and he took a lot of heat for it. they admired his courage for that. He was Rock & Roll's lightning rod.

Works Cited

Aquila, Richard. That Old Time Rock & Roll. New York, N.Y: A Division of Macmillan, Inc., 1989. Pages 3-5. Books.
Miller, Jim and Robert Palmer. "Rock Begins." The Rolling Stone Illustrated History of Rock & Roll. Ed. Jim Miller. United States: Random House, Inc., 1976, 1980. Pages 1-3. books.
Campbell, Michael with James Brody. Rock and Roll An Introduction. Manson, Ohio: Cengage Learning, 2009. Page 21, 22, 101, 105, 106, 107. Books.

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